Jane Hirshfield’s poetry speaks to the central issues of human existence—desire and loss, impermanence and beauty, the many dimensions of our connection with others and the wider community of creatures and objects with which we share our lives. Demonstrating with quiet authority what it means to awaken into the full capacities of attention, her work sets forth a hard-won affirmation of our human fate. Described by The New York Times as “radiant and passionate” and by other reviewers as “ethically aware,” “insightful and eloquent,” and as conveying “succinct wisdom,” her subjects range from the metaphysical and passionate to the political, ecological, and scientific to subtle unfoldings of daily life and experience. Her book of essays on the “mind of poetry” and her several collections presenting and co-translating the work of poets from the past have become classics in their fields. An intimate, profound, and generous master of her art, Hirshfield has taught at UC Berkeley, Duke University, Bennington College, and elsewhere, and her many appearances at writers’ conferences and literary festivals in this country and abroad have been highly acclaimed. She is the author of eight collections of poetry, including, most recently, The Beauty (longlisted for the National Book Award); Come, Thief; After (shortlisted for England’s T.S. Eliot Prize and named a “best book of 2006” by the Washington Post, the San Francisco Chronicle, and the London Financial Times); Given Sugar, Given Salt (finalist for the 2001 National Book Critics Circle Award); The Lives of the Heart; and The October Palace, as well as two books of essays.